Her main interest is to explore the timbral qualities of sound, especially, its multidimensional and dynamic condition. Her creative work has been developed in the fields of acoustic and electroacoustic music as well as live electronics and music for dance. MICHELE ABONDANO: Colombian composer, vocal and electronics performer. This multidimensional experience of timbre is related in the piece to the overwhelming act of remembering. Finally, texture is developed as a gradual process from roughness to smoothness. Meanwhile, mass is approached like an additive process of thickening that is completely reached in the transition from the middle to the final part. In terms of brilliance, the beginning of the piece explores the higher part of the register and also presents sounds with strong spectral centroid fluctuations that disappear according as more brilliant sounds fill the space.

The structure responds to the perceptual experience of three semantic dimensions of timbre: brilliance, mass, and texture. It is an excursion across past memories that seem to be intact in spite of time, as if they had been tattooed on the skin.

This is an electroacoustic piece composed completely with sounds of a Flute in C. “Fragments of sounds that have been torn, cried, mixed, filtered, transposed, reversed, multiplied just like old memories of each kiss… of each step”. Michele Abondano A la inequívoca memoria de mi piel (2016) Bogota, Colombia 8’28” (CALL FOR MUSIC 2017)

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