Composer copland free#

Composer copland free#

The already distinctive idiom of the early works became entirely personal and free of identifiable outside influence in the Piano Variations (1930), Short Symphony (1933), and

In the late 1920s Copland turned to an increasingly abstract style, characterized by angular melodic lines, spare textures, irregular rhythms, and often abrasive sonorities. Music for the Theater (1925) and a Piano Concerto (1926) explored the possibilities of jazz idioms in symphonic music from this period dates the interest of Serge Koussevitzky, conductor of the Boston Symphony Orchestra, in Copland's music-a sponsorship that proved important in gaining a wider audience for his own and much of America's music. Upon completion of his studies in 1924, Copland returned to America and composed the Symphony for Organ and Orchestra, his first major work, which Boulanger played in New York in 1925. During his early studies, he had been much attracted by the music of Scriabin, Debussy, and Ravel the years in Paris provided an opportunity to hear and absorb all the most recent trends in European music, notably the works of Stravinsky, Bartók, and Schoenberg. In 1921 he went to France to study at the American Conservatory in Fontainebleau, where his principal teacher was Nadia Boulanger. He attended Boys' High School and studied music privately (theory and composition with Rubin Goldmark, beginning in 1917).

Aaron Copland was born on November 14, 1900, in Brooklyn, New York, the youngest of five children born to Harris Morris Copland and Sarah (Mittenthal) Copland.